Part 5: Untitled
08.03.2025, 23:00 – 07:00
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
Exhibition view Volume III, Part 5: Untitled. gerlach en koop, Om zeven uur? Slapen. 2025. Photo: Sander van Wettum
gerlach en koop (2024—)
Om zeven uur?
Slapen.
Ring.
Hello.
Hello. This is Isabelle. How are you?
Asleep.
Goodbye.
Goodbye.
This dialogue, this true story was recorded by Ray Johnson in The Paper Snake in 1965 and it served to tell visitors that during the night of 8th March—sixty years later—Rib was open from 23:00 until 07:00 the next morning. Eight hours straight. A good night’s wake. Not an event, not nothing, but an exhibit. It was watched over. One could ring at the door.
You were invited.