The Last Terminal: Reflections on the Coming Apocalypse

LONG-TERM PROGRAM
24.09.2021 – 31.12.2023

Contributors

Shahin Afrassiabi
was born in Tehran. He studied art at Goldsmiths University in London. He works in Andalucia, Spain. Selected solo exhibitions include Paintings 2016–2018 at Soy Capitán, Berlin (2018), Radical Substance at Soy Capitán, Berlin (2015), Theory of Life at MOT International, London (2012), Subject to Form at Limoncello Gallery, London (2010). Afrassiabi’s work was part of several group shows, such as Been Caught Stealing at Kunsthalle Exnergasse, Vienna (2014), Showcase Preview at South London Gallery, London (2004), Transmission Gallery, Glasgow (2002), Early One Morning, Whitechapel Gallery, London (2002), and ICA, London (2000).

Steve van den Bosch focuses on the seemingly expressionless, tacit and unspectacular. His work results from zooming in on the boundary between invisibility and pure materiality and puts the implications of artistic production, exhibition and interpretation into perspective with a taste for the absurd. By erasing, doubling, blurring, reversing or reconnecting the elements that define a work of art, objects and situations are created that continually undermine their own status as works of art and almost casually refer to the surrounding conditions from which work can emerge and in which it is subsequently exhibited. Van den Bosch was a resident at HISK in Antwerp (1998–2001) and the Rijksakademie van beeldende kunst in Amsterdam (2006–07). He obtained a doctorate in visual arts at the University of Antwerp in 2016. Van den Bosch currently teaches at LUCA Brussels.

bostokkermans1995 is of it’s time. being one of many who was born into conditions (Tilburg-Netherlands) and who continously tries to survive and (ex)change based on the performative makeability of living.

Olivier Goethals studied Architecture and Urban Development. He is working simultaneously as architect and artist. In his wide practice he researches the connection between space and consciousness. Olivier made spatial interventions and artistic installations for venues, such as Het Nieuwe Instituut Rotterdam, Z33 Hasselt, Extra City Antwerp, Be-Part Waregem, SMAK Ghent & Palais De Tokyo Paris. Previously he worked as a freelance senior architect for De Vylder Vinck Taillieu (2008–2016). Since 2010, he is teaching at the KULeuven Architecture Department. He was a guest critic at RU Ghent faculty of Architecture, LUCA School of Arts Experimental Studio and ETH Zurich faculty of Architecture. Goethals is in charge of the design and implementation of all spatial interventions for the art collective 019.

Thomas Helbig (DE, 1967) is an artist based in Berlin. The practice of Thomas Helbig contains painting, drawing and sculpture, while each of the media plays on its own field. The focus of the paintings is colour itself—in its intrinsic value, its materiality and the ability to create spatial illusions from countless shades of light and dark. In contrast, his collage sculptures demonstrate a different kind of transformation of the source materials he uses. His repertoire is based on a fundus of discarded, thrown-out things, as well as kitschy plastic sculptures. Helbig mixes and connects these disparate elements into new forms, which are displayed as coded messages from an enigmatic present. Helbig attended the Academy of Fine Arts, Munich and Goldsmiths, University of London, from 1989 to 1996, and is represented by Galerie Guido W. Baudach, Berlin.

Mathew Kneebone
’s practice is founded on research into uncertainties surrounding technology, often combining different histories, myths, and folklore. His work touches upon various media including drawing, electronics, writing, sound, and performance to reconfigure or re-contextualize certain technologies, exploring an ambivalent blend of past and present. His work has recently been exhibited at Kunstverein, Amsterdam; 019, Ghent; Extra City, Antwerp; and Cloaca Projects, San Francisco. His writing has been published in Trigger Magazine, OASE Journal for Architecture, The Bulletins of The Serving Library, Another World, Umwelten, among others. He has given talks and workshops at Minnesota Street Project, San Francisco; V2_ Lab for Unstable Media, Rotterdam; Central Saint Martins, London; Sandberg Instituut, Amsterdam; San Serriffe, Amsterdam; EKA Gallery, Tallinn; Sitterwerk, St. Gallen; UEL, London. He teaches at California College of The Arts, San Francisco, where he is thesis writing supervisor.

Marianna Maruyama
is an artist and writer geo-located in The Hague. Her ongoing interests are love, labor, and translation. Selected publications include: Performing Security (The Fifth Season, 2019); Translation as Method (Kunstlicht, 2017), Farocki’s Living Room (Harun Farocki Institut, 2018). A publication thematically oriented around Rome and its insect life is forthcoming.

Kianoosh Motallebi
is a visual artist based in Brussels. He completed his master's degree at the Slade School of Fine Art in London. Subsequently he was a resident at the Rijksakademie van Beeldende Kunsten. Motallebi took part in The Physical Center (Guest Projects, London, presented by Yinka Shonibare), Erased Walls (Berlin) and Rijksakademie Open 2011. His work has also been shown at the Van der Mieden Gallery (Antwerp) and he was artist-in- residence at Very Real Time (Cape Town). In 2017 he designed the coin De Stelling van Amsterdam Vijfje 2017 Zilver Proof. He is currently part of the artist collective Level Five (Brussels).

Jack Segbars is an artist based in Rotterdam. He is engaged with the conditions and parameters that define the politics of art production. The interconnections between the different positions: critic writer and visual artist are mobilized as artistic investigation. In 2009 he produced the publication All Around the Periphery (Onomatopee) that deals with the overlap of positions and domains. In 2012 it was followed by Inertia (Onomatopee) a travelogue of visits to Palestine that deals with artistic engagement. Segbars regularly writes articles on art and art-related subjects for Metropolis M, Witte Raaf, Parse and Open! He completed his PhD research at the PhDArts program of Leiden University the Netherlands.

Marije de Wit
lives and works in Rotterdam. A selection of her recent activities are: artist talk in the context of artist in context, Netherlands Film Academy, Amsterdam; There Is So Much Thinking to Be Done, Wiels Project Space, Brussels; site-specific photo installation, Clermont-Ferrand (FR), thanks to Artistes en residence; and ESACM, VERY|BODY|TIME, edition of 25 posters, spread over free pasting places in Rotterdam.

Eléonore Pano-Zavaroni teaches art and art history at Esaaa (Annecy Alpes School of Art). She runs the art platform 5OU6ÎLES and the magazine Idoine and is one of the members of the scientific committee of the biennial Carbone, Saint-Etienne. Some of her exhibitions are Living Fair with Nayoung Kim, Changnyeong Bugok Spadium, South Korea (2019), Rendez-vous La Havane in Centro de arte Wifredo Lam, Cuba (2018) and Rendez-vous/Biennale de Lyon, Institut d’art contemporain, Villeurbanne (2017). She curated Eutrapelia, Back Lane West, Redruth, VK (2018) and published the monographic edition Entretien, Martial Déflacieux, Eléonore Pano-Zavaroni, Virginie Bobin, Stéphane Sauzedde, Esaaa éditions (2017). She is currently preparing a solo exhibition for next year at the Flaine Art Center and an artist’s book Rendez-vous.

Pano-Zavaroni has invited the following artist for Part 1: Survival of the Fittest: the big toe of little big man.
In her words:

Danaé Jérôme is a goddess who speaks cat. She is the intensity of the present. She radiates and connects. She presents herself as a designer or an artist, depending on the context and the person she is talking to. She acts, with no sense of hierarchy between situations. Fully there. Fully with - whether in a neighbourhood knitting association, a textile design project, or an art residency.

Anchored in the cosmos, Jérôme Tillié makes experimental music, original graphic design, unexpected exhibitions, the reception of a hotel. He has a sense of display and presentation that is as sensitive as it is subversive in its sincerity. This is beauty. In Jérôme Tillié‘s sentences, words appear where we least expect them and vice versa.

When I met Akim Pasquet, he was looking for ways to extract energy from stones. I then discovered his strength in creating art spaces where everyone is welcomed and finds their place. He federates and explores, driven by questions of affect and energy, their circulation in intimacies and in ensembles. He is a curator, artist, teacher and director of the Limbes art space and the Carbone Biennial.

Fabrice Croux
, attentive, makes piles, stacks. He states that art is to increase the sensitive and understand in a non-verbal way. He eats things, techniques, and other edible foods. He bathes in time, sprinkled with magic and strangeness, making objects that are other.

Romain Bobichon
has an experimental painting practice. I often have the impression that he creates an infinite painting that develops in many dimensions. It is a relationship to the world rather than a medium. He produces things that can be manipulated, things that can be thought of with the body. Moreover, he also makes music or, with other acolytes, a series of fiction.

Ash Kilmartin
does a lot of collaborations; she has a sense of staging and dramaturgy. She is a storyteller, sculptor, performer, radio broadcaster, gardener, chef, and runs Life.

Maziar Afrassiabi
is an artist, he makes poems in spite of himself (?), is attentive to dreams. He unfolds an artistic practice, and a way of thinking with others, through his curatorial practice, mainly at Rib, which he founded and directs. For some time now he has been making beautiful sculptures, between the Merzbau and Valentine Schlegel.”