Taming the Horror Vacui | Publication project by Haseeb Ahmed & Piero Bisello
Taming the Horror Vacui, unfolding the practice of artist Haseeb Ahmed at Rib, is also an artist publication. Edited and designed by Piero Bisello, it will consist of 9 issues to be released after each of the events with Ahmed's guests in the program. Participatory in nature, the publication will build a system of annotations in which a central image sourced from Ahmed’s work at Rib will be commented by external contributors, including workshop participants, citizens of Charlois and Rotterdam, artists, curators, scientists, and more.
Issue N°1: Inhaling the Storm
More information to be announced soon
Haseeb Ahmed (b.1985) is a research-based artist. Originally from the US, he now lives and works in Brussels. He produces objects, site-specific installations, films, and writes for various publications. Often working collaboratively, Ahmed integrates methodologies from the hard sciences into his art production. His recently completed Wind Egg Trilogy blends art and aeronautics, myth and technology, to create new narratives for the present. It was developed with Von Karman Institute for Fluid Dynamics (VKI) in Brussels and was the subject of his first solo exhibition for Harlan Levey Projects in Brussels who now represents him, his solo exhibition at the Museum of Contemporary art of Antwerp (BE), as well as the topic of his PhD in practice-based arts completed in 2018 as a collaboration between the VKI, University of Antwerp, Saint Lucas Antwerp School of Art and Design,and Zurich University of the Arts. Ahmed has been a lecturer at the latter two art universities as well as the Royal Academy of the Art in The Hague. His work with the wind and science began during his Masters from the MIT Program in Art, Culture and Technology, completed in 2010. He holds a Bachelor of Fine Arts at the School of the Art Institute of Chicago. Ahmed has been a resident at the Jan van Eyck Academie in Maastricht (NL), the Skowhegan School of Sculpture and Painting (US), a EU Commission STARTS Vertigo resident at the Brain and Emotion Laboratory at the University of Maastricht, La Becque Foundation among others. His work has been exhibited internationally including the Museum of Contemporary Art Chicago (US), The Gothenburg International Biennial of Contemporary Art (SE), and De Appel in Amsterdam (NL).
Piero Bisello is Editorial Director at Conceptual Fine Arts, an online art writing platform and gallery visiting program in Milan. He has a background in art history and analytic philosophy, with degrees from KU Leuven and Erasmus University Rotterdam. Among other topics, his editorial work has focused on artist publications and artist books. He has been based in Brussels since 2011.